“Nikolais’s students, his company dancers, and his creative colleagues are
deeply grateful for his generous giving of his vision and his artistry — to us
and to the world. We thank Nik for being our teacher, guide, and inspiration.”

—Ruth E. Grauert


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Bearnstow Journal offers articles on the Nikolais esthetic and the arts.  Editor Ruth Grauert worked for Alwin Nikolais for forty years.  She has created lighting designs for many dancers in that discipline.  A published poet and essayist, Ms. Grauert is the executive director of Bearnstow, an arts and nature summer place in Mt. Vernon, Maine.

Bearnstow Journal is published by Bearnstow, a nonprofit 501(c)(3) corporation.  The site’s development and maintenance are dependent on your tax-deductible contributions.  You may contribute online though PayPal (PayPal membership not required); click PayPal button on the right. Or mail checks to Bearnstow, 83 Sanford Place, Jersey City, NJ 07307.

See also the Nikolais/Louis Alumni on Facebook.

Bearnstow is registered in Amazon’s Smile Program and receives a small donation every time you buy an eligible product. Log in with this easy-to-rememer link: http://bearnstow.org/amazon.



News and Announcements

Bearnstow Announces Its Faculty and Workshops for Summer 2017


Ruth Grauert

Véronique MacKenzie

Peter Kyle

Scott Giguere

Robin Gilmore

K.J. Holmes

Claire Porter

Sara Pearson & Patrik Widrig

Susan Rethorst

Summer 2017 workshops. See complete list of activities.










Murray Louis — A Celebration of His Life and Artistry
January 22, 2017, 2–5 p.m., Henry Street Settlement Playhouse (Abrons Art Center), 466 Grand Street, New York, NY
Join us in a celebration of his life and artistry.

  



In recognition of Murray Louis’s monumental career and collection of works, Bearnstow Journal has published for the first time Ruth Gruaert’s On Murray Louis—an insightful analysis of his dances over the years, following his thematic thread from the “little man” to “everyman.” The article was compiled from notes taken in the early 1980s at the request of Alwin Nikolais, who was working on a biography of Murray.


Bearnstow Journal is pleased to publish the recent article by UCLA dance professor emerita and noted dance historian Emma Lewis Thomas: “My Mary: Personal Reminiscences of Learning from Wigman,” The article is the latest addition to our Wigman Heritage section.

Emma Lew Thomas studied with Mary Wigman in Berlin from 1954 to 1959, dancing in her major works, including Wigman’s Rite of Spring. While in Berlin she befriended Joan Woodbury, who also studied with Wigman, 1955–1956. She appears frequently in photos of Wigman's works; see the slide show at “An Addendum—Emma Lewis Thomas” by Joan Woodbury.

Modern dancer Emma Lewis Thomas has been teaching Dance History at UCLA since 1971. She began ballet in Charleston, WV with Caroline Petty; later professional training and performance in Berlin with Mary Wigman led to a career in historic dance research and performance (1972–96) of Renaissance and Baroque scores. Thomas continued to teach and perform modern dance works, often with dancers related to the Alwin Nikolais/Murray Louis companies—U.S. artists credited with perpetuating the legacy of Wigman dance teachings in America. Collaborating with Andrzej Wirth, founder of the Giessener Schule, Thomas focused on movement for actors in theatrical works of Bertolt Brecht, Heiner Müller, and Robert Wilson. She continues to lecture and write, currently advising and raising funds for contemporary dance, music, and theater groups in California.


Reviews

Hollow, choreographed and designed by Gerald Otte at Hunter College ~ Photo: Sabrina Polanco-Ferreyra


Journal Articles


Alwin NIkolias and Ruth Grauert in a lighting rehearsal for Vaudeville of the Elements at the Guthrie Theater in Minneapolis in 1965
Photo by Eric Sutherland
  1. Essays on the art of Alwin Nikolais, by Ruth E. Grauert, comprise Volume I.  Included are Nikolais’ use of light, sound, properties, and motion; a comparison between Nikolais and the Bauhaus; and a brief historic overview and current thought on stage lighting and dance.  Go to the Index of Volume I articles.

  2. Essays on Mary Wigman:  Volume II of Bearnstow Journal includes: Wigman’s own article on her early experience with Rudolph von Laban, Susan Buirge’s interview with Hanya Holm about Hanya’s early experiences at the Wigman School, Joan Woobury’s and Beverly Blossom’s accounts of their school year with Wigman in Berlin, reprints of Joan Woodbury’s 1956 articles on Wigman from Dance Observer, notes from Peggy Chambers, Julie Hamilton Pleus, and John Wilson, and finally excerpts from Mary Wigman’s letters to Joan Woodbury from 1957 to 1970.

  3. A Dance Course Curriculum by Dale Thompson.  Dale Thompson (NDT 1978–1983) has developed a sixteen-week dance curriculum, which also includes a comprehensive reading list.  Click for more information and downloading links.

  4. A review of the Nikolais heritage and its impact from a Euro­pean viewpoint. See Alwin Nikolais, by Arnd Wesemann, origi­nally published in Tanz magazine, July 2014; translated into English by Emma Lew Thomas.

The Chatterbox

Read the e-mail discussion forum of former Nikolais/Louis dancers, students, and technical staff members.


Special Links on This Site


You may submit articles, contributions to The Chatterbox, reviews of performances, and poetry for inclusion on this site by e-mail to Ruth Grauert.  Please include a short biography and any other information you may consider pertinent.

This Web site (BearnstowJournal.org) is designed and maintained by Jim Van Abbema, who was a sound engineer, stage manager, and technical director for the Nikolais and Louis companies from 1968 to 1975.  He is currently a Webmaster and copy editor.  For questions about this Web site or exploring the possibility of designing or renovating your own site, e-mail Jim.

Tandy Beal, Mimi Garrard, Kathy Kroll, Phyllis Lamhut, Sheila Mason, Helen Kent Nicoll, Gerald Otte, Audrey Ross, and Joan Woodbury have helped us maintain Bearnstow Journal over the past year.

All images and written material on Bearnstow Journal are copyrighted. Reproduction of any item from this site is prohibited without prior written permission from Bearnstow.